심리학의 원리/심리학의 원리2
심리학의 원리/심리학의 원리2
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What most likely stays genuine, even so, is that almost all men Have a very much less auditory and a far more articulatory verbal creativity than They can be apt to be aware of. The experiment proves how dependent our verbal creativity is on precise thoughts in lips, tongue, throat, larynx, and so on. The commonly-acquired notion is that it is just a milder diploma of a similar course of action which passed off once the matter now imagined was sensibly perceived. Trust me, who For most a thousand year The same hard meat have chewed and examined, That from the cradle on the bier No gentleman The traditional leaven has digested! In favor from the sensationalistic or nativistic view of one these kinds of case, see the essential paper by Von Kries, Archiv f. Whenever we occur to review hallucinations within the chapter on Outer Notion, we shall see that this is under no circumstances a factor of exceptional event. A man blind of his Visible brain-centres can no much more see darkness out of the parts of his retina which can be connected Using the Mind-lesion than he can see it out of your pores and skin of his back.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A great way of bringing the difficulty to consciousness is the fact proposed by Stricker: Partly open up your mouth after which visualize any word with labials or dentals in it, for example 'bubble, 'toddle.' Is your image below these problems distinctive? The movements of articulate speech Engage in a predominant aspect in his psychological life. I will Engage in the comedy with artwork. The enigmatic experiences on the outcome of magnets and metals, even when they be owing, as many contend, to unintentional suggestion about the operator's part, definitely entail hyperæsthetic notion, with the operator seeks at the same time as feasible to hide The instant in the event the magnet is introduced into Perform, and still the topic not merely finds it out that second in a method obscure, but could establish effects which (in the primary occasion definitely) the operator did not anticipate finding. The boy playing 'I spy,' the felony skulking from his pursuers, the superstitious human being hurrying throughout the woods or past the churchyard at midnight, the man misplaced during the woods, the girl who tremulously has manufactured an evening appointment together with her swain, all are matter to illusions of sight and audio which make their hearts defeat till they are dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.